Project Participants

ALUMNI MENTORS:

Gwynn MacDonald is a theater director who has directed or produced theater, television, film and radio. Her work in television has received both Cable Ace and Emmy Nominations; her work in radio, the Gracie Allen Award given by AWRT. Additionally, she’s produced for acclaimed interactive video artist and filmmaker Grahame Weinbren and developed film and theater projects with novelist Gloria Naylor. She edited an anthology of contemporary Czech Drama, has been published in books and periodicals, and was mentor faculty for the Dramatists Guild Institute.  Recent projects: Siachen a new play by Aditya Rawal supported by Baruch Performing Arts Center, and Makena Metz’s DEATH BITES in honor of #ADA30 for Queens Theater / Lincoln Center at Home. International play development includes works from Eastern Europe, U.K., Argentina, India and Israel. International directing includes American plays in Cuba and Bogota. Gwynn majored in dramatic literature and studied film production at Princeton University, working with screenwriter Niven Busch (The Postman Always Rings Twice) among others.  Fellowships include: Drama League Directors’ Project, DeGrummond Research Fellowship, Columbia University’s Arts Leadership Institute. She is a member of Society of Stage Directors & Choreographers, League of Professional Theatre Women, The Shakespeare Society, and the Lincoln Center Theatre Directors Lab. She is on the Drama League’s inaugural Directors Council and the artistic advisory board of the Immigrants’ Theatre Project. Gwynn is part of the 2019 cohort of Disability Arts NYC which seeks to advocate for and create policy to promote Disability Arts, and obstacle-free inclusion and accessibility.  

MARISOL ROSA-SHAPIRO ’07 is a theater artist specializing in original works for the stage. She is passionate about the power of play, poetry and the imagination to nurture connection, celebrate community, and empower the people. Recent favorite projects have included The Up-Close Festival at the New Ohio Theater (NYC), the national tour of Spellbound Theater’s Wink; The Seven Ravens Project (currently in development); and her own red nose clown show Here at Home, which has played in six cities across the USA. Marisol is a proud volunteer performer and teacher for Clowns Without Borders with whom she has worked to build resilience through laughter with migrants, refugees and detainees at the US/MX border.

CARA REICHEL ’96 is the Producing Artistic Director of NYC’s critically-acclaimed Prospect Theater Company, which she co-founded in 1998 with fellow Princeton alumni. She is a leader in the field of new musical theater, creating opportunities for a vibrant community of artists. With Peter Mills ’95, she has co-created over a dozen new musicals, including the 2018 hit The Hello Girls (Outer Critics Circle & Drama Desk Award nominations). Selected director/writer credits: O’Neill Theatre Center, Village Theatre Festival of New Musicals, Goodspeed Johnny Mercer Writers’ Colony, Boglisaco Fellowship. She is a member of Stage Directors and Choreographers Society.

JILL SIGMAN ’89, *98 and a team of 18 alumnae is a Brooklyn-born movement artist and agent of change who works at the intersection of dance, visual installation, and social practice. She choreographs with bodies and maligned materials such as garbage and weeds to help us reflect on the urgent issues of our time. Her current project, Body Politic, brings together artists, activists, and lawyers via workshops and performance. Sigman has been a Creative Campus Fellow at Wesleyan University, a Choreographic Fellow at MANCC, the first Community Action Artist in Residence at GIBNEY, a NYFA Fellowship recipient, and an Artist-in-Residence at NYU’s Tisch Initiative for Creative Research. She is the author of Ten Huts, and she holds A.B., M.A. and Ph.D. degrees in Philosophy from Princeton University.

RONEE PENOI ’07 is Associate Producer at Octopus Theatricals, founded by Mara Isaacs and dedicated to producing and consulting in the performing arts. She has been a 2016 TCG Rising Leader of Color, an APAP Leadership Fellow (Cohort 3), and a 2018 ISPA Global Fellow. Ronee is affiliated with Groundwater Arts, an effort to advance climate justice in the arts, and is currently composing two new musicals with Annalisa Dias (The Carlisle Project and #RESIST). Previously, Ronee has worked with the Welders Playwrights’ Collective, Woolly Mammoth Theatre Company, Arena Stage, the Shakespeare Theatre, and many more. Ronee has a BA in Music with Certificates in Theater and Vocal Performance from Princeton University and is Laguna Pueblo and Cherokee.

WHITNEY MOSERY ’08 is a Brooklyn-based director, dramaturg, and art activist. Favorite credits: Girl From Nowhere (NYMF/St. James/Ed Fringe), presented in support of Planned Parenthood; Foreign Bodies (Princeton), a documentary piece about superbugs; and the play/ritual/bonfire/dance party BACCHANALIA (US/UK/Greece). Associate Director: Harry Potter and the Cursed Child, American Psycho, King Charles III. Next up: dramaturging an as-yet-untitled Cirque du Soleil show, premiering in April 2020. Proud member of Orchard Project NYC Greenhouse, former Almeida Director in Residence, and WTF Directing Corp alum. BA Princeton, MA RADA.

NAJLA SAID ’96 is an actress, playwright and author. In 2010 she performed her solos show Palestine at the 4th Street Theatre at NYTW for 9 sold out weeks. She continues to perform the show at colleges and high schools all over the world. She is also the author of the memoir, Looking For Palestine: Growing Up Confused in an Arab-American Family, which was published by Riverhead Books in 2013.

KAY-MEGAN WASHINGTON ’88 has been performing since the age of two, when her parents enrolled her in tap and ballet lessons in the hopes that it would make her less clumsy. It didn’t. It did, however, engender an addiction to applause and limelight. Washington is now an actor, voiceover artist and vocalist based in Baltimore, Maryland. She creates character-driven performances that give new life to familiar words and ground and awaken new ones. She inhabits imagined creatures so that they breathe, laugh, scheme, mourn and fight for a brief space of time, and then disappear.


INTERVIEW SUBJECTS:

ALICE EVE COHEN ’76

Alice Eve Cohen ’76 is a playwright, solo theatre artist, and author, whose work has been performed for over 200,000 people on four continents. Her play In the Cervix of Others, winner of the 2019 Jane Chambers Feminist Playwriting Award, will be a featured selection of the 2022 Women Playwrights International Conference Montréal. Cohen’s play An Unexpected Life will be produced in February 2021 by the Jewish Repertory Theatre of Western New York. Her memoir, What I Thought I Knew (published by Viking) was honored with the Elle Grand Prize for Nonfiction andOprah magazine’s 25 Best Books of Summer. She is currently writing a new play, Hotel Limbo, about a neighborhood in crisis around homelessness during the pandemic.

She has written television for Nickelodeon and CBS, and her books, plays, and monologues are published by Penguin, Algonquin Books, NoPassport Press, and Applause Theatre Books. A recipient of fellowships and grants from NY State Council on the Arts, the NEA, Voice and Vision Theatre, and Virginia Center for Creative Arts, she is a proud member of New York Theatre Workshop’s Usual Suspects, Ensemble Studio Theatre, EST Playwrights Unit, and Honor Roll!, an advocacy and action group of women+ playwrights over 40.

Cohen received her MFA in Creative Writing from The New School. She is on the faculty of Augsburg University’s MFA Creative Writing Program, and she teaches undergraduate playwriting and creative writing at The New School, where she is honored to have received the 2020 Distinguished University Teaching Award.

At Princeton, Alice studied anthropology and theatre and wrote her thesis on Contemporary Experimental Theatre as Ritual of Social Change—a subject she has continued to explore ever since. She co-founded the Princeton Jewish Theatre, traveled cross-country with Princeton’s Story Theatre Company, and loved performing at Theatre Intime, where she made life-long friends. In 1976, she was one of the first two recipients of Princeton’s certificate in theatre. Alice’s two daughters have also studied at Princeton — Julia Keimach ’12 and Eliana Cohen-Orth ’21, who interviewed Vera Marcus as part of this project. www.AliceEveCohen.com

TINA DEVARON ’78

Tina deVaron ’78 cut her musical teeth as a founding member and later music director of the Princeton Katzenjammers, whose first album she produced, and also as the very first performer at the newborn “Café” under Murray Dodge. Of her debut Café performance: “I looked out at the place was full. There were people lining the stairway. That was the lightbulb moment for me: maybe I can do this. Sing and play music, and people will listen.”

She is currently at work on several musicals and song cycles, among them Perfect Mothers/The Motherhood Songbook and an adaptation of the prize-winning novel Somebody Please Tell Me Who I Am by Peter Lerangis and Harry Mazer, about a GI who returns from Iraq/Afghanistan with TBI. Perfect Mothers was dubbed one of the New York Musicals Festival’s Top Ten shows in 2013 and signed to a Broadway producer.

Song placements include #1 on the national Gospel charts and #2 on the Billboard Club/Dance charts, Hotel “steady” jazz gigs have included the Waldorf (Cole Porter’s piano) where she sang a duet with Frank Sinatra, and the Carlyle, where she accompanied Billy Joel. Her sellout 15h season at the Carlyle “Madeline’s Tea” has just been extended. This past December a review in the NYT called Tina a “terrific musician and genius kid wrangler.”

On Spotify/itunes/Bandcamp: IF MAMA AIN’T HAPPY, hailed by Anne Lamott as “brilliant, funny, wise;” WATER OVER STONES, called “the soundtrack of my life!” by Lisa Belkin; and TUCKERMAN’S RAVINE of which Tulis McCall writes: “deVaron is making a joyful noise unto the Lord, which in this case, is LIFE. All the mundane bits turned into magic…” www.tinadevaron.com

VERA MARCUS ’72

Theatre topped Vera Marcus ’72’s interests from the time she took one African Dance class at Princeton University in 1969, where she graduated in three years becoming the first African American woman graduate who fully matriculated there. Vera participated in Princeton’s Theatre lntime, and in the community, Harambee House, a student founded Black theatre group. Vera returned to her hometown of Birmingham, Alabama, and founded “Black Fire Theatre” which included the Black Flames, a group of children as young as four to teenagers, who like her, had never been exposed to theatre before. Among Black Fire’s honors, two of the students accompanied Vera to Brazil for six weeks and brought back Brazilian dance to Birmingham’s Festival of the Arts, winning the Silver Bowl Award for dance that year. The group toured throughout the South for the three years. Vera was their director and was rewarded by appearing in the National Geographic Magazine.

Vera spent her middle years championing the environment. At the start of her California state government career, Vera obtained her Master’s Degree in Environmental Planning. She served as Assistant Secretary to Governor Jerry Brown’s cabinet secretary for natural resources. During those years, Vera headed the state­ federal task force that achieved the federal designation of California’s Wild and Scenic Rivers, which will remain protected by the designation forever. Vera headed the first solar energy program in the State of California and spent her early years lobbying for environmental issues in California State government. Vera started her lobbying experience as Legislative Director at the California Commission on the Status of Women that resulted in the first hearings on “women in poverty” in the United States. She received the State Senate Rules Committee Commendation for Achievements in State Government for that work.

Ultimately, Vera became a lawyer. Upon her graduation from the Martin Luther King School of Law, she served as an apprentice to the California Appeals Court, Third District, drafting appellate opinions for Judge Rodney Davis.

Art never left Vera Marcus’s mind. So when at age 40 Vera had her son, Robert Vail, she was ready to support him on his journey. Robert started dancing at the age of five and later graduated from New York University. Robert is a professional dancer and actor in New York City, having also trained in acting at the William Esper Studio. Robert recently appeared on “The Marvelous Ms. Maisel,” and had his fourth appearance on the Tony Awards Show in 2019. Robert’s lengthy film and television works include appearances on, or commercial work for, The Tonight Show with Jimmy Fallon, Saturday Night Live, America’s Got Talent, Neiman Marcus, Subway, Bank of America ‘MLB Stories,’ Vogue, Sotheby’s, New York Fashion Week, American Museum of Natural History, Swarovski Crystal Holiday Campaign, Childish Gambino MoCap: New Zealand, and many others. His commercial work for Estee Lauder is shown overseas at Heathrow Airport in London and for the Gap in Paris. From very humble beginnings in Alabama, Vera’s passion has come full circle through her only son.

DEBRA MELOY ELMEGREEN ’75

Debra Meloy Elmegreen ’75 is Professor of Astronomy on the Maria Mitchell Chair and Department Chair of Physics and Astronomy at Vassar College, there since 1985. She was the first female Astrophysical Sciences major at Princeton, a member of Quadrangle Club, and intraclub ping pong gold medalist. She received an Astronomy PhD from Harvard, and was the first female Carnegie Observatories Postdoctoral Fellow. She is President-Elect of the International Astronomical Union and Chair of the AURA Board. She is Past President of the American Astronomical Society. She received the George van Biesbroeck Prize for service to astronomy, and she is a National Associate of the National Research Council, a Fellow of the American Association for the Advancement of Science, a Fellow of the American Academy of Arts and Sciences, and a Legacy Fellow of the American Astronomical Society. She researches the structure and evolution of galaxies at optical, infrared, and radio wavelengths. She is married to astronomer Bruce Elmegreen *75 and has 2 children, Lauren Rafelski ’05 and Scott ’07, and two grandchildren.

HELENA NOVAKOVA ’72

I’ve followed my lucky stars that took me through a whirlwind of a life, life of survival, life of service, life of much learning about the world, about myself and others. My first world was behind the Iron Curtain, happy and fruitful thanks to my wonderful parents and family. Princeton and the family Billington introduced me to the Free World that gave rise to my now uninhibited mind; my teaching profession that followed my MAT from Stanford took me around the physical world and led me to almost all continents and a variety of cultures, presenting their beauty, their differences as well as similarities, their joys and also struggles.

I now live in Miami, Florida, a city that my children call the closest city to the United States. Indeed, it pumps with excitement of different cultures, musical tunes, colors and opinions. I am in my second service-oriented career, this time as a financial advisor hoping that my efforts equal the many kindnesses I have received over the years.

CARLA GAIL WILSON ’71

Carla Gail Wilson ’71’s mother was Jewish and her father was African-American. She was one of twelve black women admitted to Princeton the first year of co-education. Carla was a member of the Association of Black Collegians. “It’s only through education that a person who wants to do good and help people can figure out how to do good and help people,” she says. Carla went on to law school and writes poetry.

HELEN ZIA ’73

Helen Zia ’73 is a writer, activist and Fulbright Scholar. Her latest book, Last Boat out of Shanghai, which chronicles the 70-year-old exodus from Shanghai to Hong Kong, Taiwan, the US and elsewhere, was an NPR Best Book of 2019 and longlisted for a 2020 PEN/Jacqueline Bograd Weld Award for Biography. Her other books include Asian American Dreams: The Emergence of an American People, and My Country Versus Me. A longtime journalist, Helen was Executive Editor of Ms. Magazine. Her ground-breaking articles, essays and reviews have appeared in numerous publications, books and anthologies.

The daughter of immigrants from China, Helen was born and raised in New Jersey. Her activism in the 1980s landmark civil rights case of anti-Asian violence is featured in the Oscar-nominated documentary, Who Killed Vincent Chin? In 2010, she was a witness in the federal marriage equality case decided by the Supreme Court.

Helen is a graduate of Princeton University’s first coeducational class and holds honorary degrees from the University of San Francisco and the City University of New York Law School. She attended medical school for two years, then worked as a construction laborer, an autoworker, and a community organizer, after which she discovered her life’s work as a writer.


CREATIVE TEAM

Suzanne Agins ’97 is a freelance director and Artistic Director of the Upstart Creatures, a company dedicated to creating (meta)physical feasts that combine theater and food.  She has been on the faculty at Princeton University since 2006.  Her work has been seen at the Hangar Theatre, Hudson Valley Shakespeare Company, Cape Fear Regional Theatre, LAByrinth, the Cherry Lane, the O’Neill, Ensemble Studio Theater, Dorset Theater Festival, Ars Nova, and Williamstown Theater Festival, where she served as Artistic Associate for New Plays from 2005-2007.  She holds an MFA in Directing from UC San Diego, is the recipient of a Princess Grace Fellowship, teaches at NYU, and is a member of SDC.

Jane Cox is a lighting designer for theater, opera, dance and music based in Princeton, New Jersey. Designs in 2019 included The Marriage of Figaro at San Francisco Opera; Fefu and her Friends at Theater for a New Audience in NYC, directed by Princeton alumna Lileana Blain-Cruz; King Lear with Glenda Jackson on Broadway, directed by Sam Gold; a new musical adaptation of Secret Life of Bees (the design was nominated for a Drama Desk Award 2020); The Resistable Rise of Arturo Ui, directed by fellow faculty member John Doyle; a theatrical adaptation of Ta-Nehisi Coates book Between The World and Me, directed by Kamilah Forbes and a revival of True West on Broadway, directed by British director James McDonald.

Projects postponed due to COVID included Assassins at Classic Stage Company in NYC; Three Sisters starring Greta Gerwig and Oscar Isaacs, at NYTW; and As You Like It for Shakespeare in the Park NYC, directed by Laurie Woolery.

Other exciting designs include Othello for the Public Theater’s Shakespeare in the Park and Jitney on Broadway, both directed by Ruben Santiago-Hudson; All the Way and Roe directed by Bill Rauch; Annie Baker’s The Flick, directed by Sam Gold; a new musical of Amelie, directed by Pam MacKinnon; Color Purple directed by John Doyle; and Hamlet directed by Lyndsey Turner (with Benedict Cumberbatch).

Jane has been nominated for two Tony awards, for her work on Jitney (2017) and on Machinal (2014). Jane has also been nominated for four Drama Desk awards and three Lortel awards, and in 2013, was awarded the Henry Hewes Design Award for her work on The Flick. In 2016, Jane was awarded the Ruth Morley Design Award by the League of Professional Theater Women, and a British What’s Onstage award for her work on Hamlet. In 2020, she received a special citation from the Henry Hewes Design Awards as part of the design team for María Irene Fornés’ Fefu and Her Friends.

Jane has been a company member of the Monica Bill Barnes Dance Company for twenty years. Highlights of work with the company include Three Acts, Two Dancers, One Radio Host with Ira Glass; a museum workout at the Metropolitan Museum of Art, partly developed at the Princeton Art Museum, with illustrator Maira Kalman; and Happy Hour, a piece involving karaoke, cocktails and suits. Jane has long-standing collaborations with directors John Doyle, Sam Gold and Bill Rauch, among others. Jane has taught at NYU (Tisch School of the Arts) where she also got her MFA in theater design, at Vassar (drama department) and Sarah Lawrence (dance department) and has been teaching about light and theater design at Princeton University since 2007. Jane became Director of the Program in Theater in 2016.

Milan Eldridge is a maker of theater and film who is fascinated by the way these two forms can interact and inform each other. In addition to All Her Power, her other virtual theater work includes farm for meme as stage manager presented by allgo and Cara Mía Theatre, SUGAR SKULL! A Virtual Día de Muertos Adventure as stage manager presented by Rhythm of the Artsand The Manic Monologues as production coordinator presented by McCarter Theatre. She has also served as a Teaching Fellow for Trenton Youth Theater and is currently an Associate Digital Producer for MELA Arts Connect.

As part of her theater thesis, she was the lighting designer for Intimate Apparel, the stage manager for an original student-written pop-punk musical entitled Hotel on Fremont, and the set designer for Macbeth. Her film thesis was the speculative contemporary fantasy short film From the Left.

Robert Kaplowitz is most interested in the stories told by deliberately curated sound and music, and how those stories interact with society.  He has spent the last 26 years creating work as a sound designer and composer, and has been honored with a Tony Award for Fela! and an OBIE Award for Sustained Excellence, among other flattering celebrations of his work.

His work for the screen is far more recent – since the Pandemic, he has undertaken various roles for theatrically centered movie work.  “Sound Design” in theater seems to translate to about 15 titles in film, including location recording, audio editing, audio repair, music supervision, mixing, mastering… his first two film projects were Lawrence Brownlee and Friends and Cycles of My Being for Opera Philadelphia; Princeton’s All Her Power marks the first time he’s added film composer to that list of titles.

He is also on the Faculty at Princeton University’s Lewis Center for the Arts, the leader of an annual Masterclass in Sound Design at the Kennedy Center, a Committee Member for the 24th Ward, 4th District in Philadelphia, co-creator of the app Stagecaller and proud spouse and parent in his delightful family.


RESEARCH + ADVISING TEAM:

  • Fara Dabhoiwala, Department of History Advisor
  • Jessica Mack, Primary researcher
  • Alissa Matlovsky, Alumna Advisor
  • Jane Shidler, Alumna Ambassador

All Her Power – Special Thanks:

Marion Friedman Young ‘00, Wesley Cornwell ‘16, Victoria Davidjohn ‘19, Rob Del Colle, Stephanie Byrnes Harrell,
Fernanda Romo ‘22, Delaney McMahon ‘21, Sister Smith ‘88, Isabella Hilditch ‘22, Larry Eldridge,
Merrelene Overall, Professor Nancy Malkiel, Pilar Castro-Kiltz ’10


Chair: Tracy K. Smith
Executive Director: Marion Friedman Young

PRODUCTION AND ADMINISTRATION
Director, Producing Artistic Director, Theater And Music Theater Season: Jane Cox

Producer: Darryl Waskow
Production Manager: Chloë Z. Brown
Production Stage Manager: Carmelita Becnel
Resident Musical Director/Composer: Vince di Mura
Assistant Stage Manager: Rob Del Colle
Costume Shop Manager: E. Keating Helfrich
Assistant Costume Shop Manager: Julia Kosanovich
Draper: Caitlin Brown
Technical Director: Timothy Godin
Assistant Technical Director: Jesse Froncek
Theater Technician: Torrey Drum
Lighting & Stage Supervisor: Matt Pilsner
Props Master: Allie Geiger Khanna
Scenic Artist: Melissa Riccobono
Master Carpenter: Michael A. Smola
Sound Supervisor: Kay Richardson
Director of Communications: Steve Runk
Multimedia Specialist: Zohar Lavi-Hasson
Visual Communications Specialist: Tracy Patterson
Web & Multimedia Strategist: Jonathan Sweeney
Communications Associate: Jaclyn Sweet
Communications Assistant: Hope VanCleaf